My tendency in the past four years that I’ve been writing about and reviewing local art has been to be kind. I stopped reviewing art I didn’t like unless my editors assigned it to me; I would look at art events and could not but appreciate the effort that organizers put into it, even when it was clear to me that celebrating local art in this way is the height of superficiality.
Artists earn money in these events, after all, and that is reason enough to be less than critical. Or to trail one’s eyes elsewhere or critique, say, the art that’s just waiting to be placed in some hotel (or hotel bathroom!) or that museum that doesn’t allow photos, when it is all we can take home of art (I’m looking at you, Metropolitan and Ayala Museums)!
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