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Tuesday, January 06, 2009

 

Not another showbiz album

Eula Valdez belts bona fide blues with vocal chops and musical moxie to match

By Rome Jorge, Lifestyle and Entertainment Editor

Showbiz people would do anything to promote their movies, their careers and themselves. They’ll even issue lame dance albums, CDs filled with nothing but lackluster remakes of old tired ballads and various versions of the same nursery rhyme-like song.

It gives them something to sign autographs on and toss at their fans as their motorcades go buy. Without their cutesy smiles, naked muscular torso or sexy gyrating bodies, these songs are nothing. Who buys these albums?

Definitely not the same people who love Eula Valdez—the sexy and sultry 40-year-old men’s magazine cover favorite, perennial television drama kontrabida, one of the good guys of showbiz in real life and Aliw-award winning for Best Stage Actress star of the hit musicale Zsazsa Zaturnnah. The girl who famously posed for the album cover of punk-thrash-novelty-rock band Kamikazee’s Maharot is back in the music scene, this time to belt her own tunes.

Her single “Blue” recently topped the listener request charts of rock ’n roll station RJ Underground 105.9FM. For anyone, most especially a celebrity, to earn the respect of indie rockers, punks, blues and classic rock aficionados—all of whom are musical snobs that are all too eager to thumb down any contrived and inauthentic entertainer—is no small feat.

“Blue” is just of the colors of Valdez. Schizo, as the album’s name suggests, showcases Valdez’s vocal talents in various musical genres. Unlike most celebrity albums, Valdez sings nearly all-original compositions: eight by Vince de Jesus, the same genius behind the endearing music of Zsazsa Zaturnnah; three by Ronnie Quizon, her former partner and father to her 13-year-old son Miguel; and a lone cover song, a soulful rendition of Everything But the Girl’s “Driving.”

She confides that Quizon wrote the song “Who Can Stop the Rain” 14 years ago as a rock ballad. On the album, it features a more upbeat pop rock tempo that highlights the song’s irresistible hooks. In contrast, she reveals, “I only learned how to sing ‘Blue’ during recording. He [Quizon] was writing it on the spot on a napkin. He didn’t give me a study CD or anything. All he said was, ‘You can do it.’” Did it she did indeed. She nailed with spine-tingling sultriness, melodic brilliance and heart-rending blues empathy.

The musical diversity of her album reflects her influences. “My father would listen to Glen Miller. My mom would listen to ‘Moonlight Serenade.’ Our eldest sibling would listen to Shirley Basie. My brother would listen to the Beatles. My other sisters would listen to Michael Jackson and the Carpenters. We were all taught to play the piano.” But don’t expect Valdez to sing just jazz standards and pop songs.

“I like old rock, like Led Zep.” She segues the conversation into news about a new album from Led Zeppelin’s remaining members but laments the possible non-participation of iconic vocalist Robert Plant. “I’m still excited nonetheless. And Van Halen . . . David Lee Roth is such a monkey on stage. And Jim Morrison, he was my crush. I love the Doors. It’s a pity about Wolfmother. They’ve disbanded now,” she gushes. My, my, the girl is a bona fide classic rock fan. She bashes the skins and shreds power chords

“I have a [real] drum set at home. I also have Guitar Hero [the best-selling interactive musical videogame for Microsoft X-Box, Sony PlayStation and Nintendo Wii that features facsimile musical instruments to play]. I can only play on ‘medium’ though. The ‘hard’ level is too difficult. I play the guitars [on the game],” she reveals.

Nonetheless, her parents’ musical influences have informed her taste. “I like [jazz] standards too . . . stuff like Fabulous Baker Boys too,” she enthuses.

However, being inter-disciplinary artist does have its drawbacks. Know throughout the film and television industries for her professionalism, commitment and promptness as well as pleasantness and unpretentiousness, she has as of yet little time to spare for live performances. Nonetheless, she admits, “I would love to do that. When you’re sick of acting, this is what I want to do.”

Eula Valdez has whetted the appetite of rockers, bluesmen and jazzers with her breakthrough album. We can only hope she doesn’t keep us waiting too long and give us more, in the flesh, live.

   

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